Archive for 2012
I am the “Community Liaison.” My job is to be a direct and neutral communication portal between the board and the membership at large. I am available to listen to what members have to say and to bring their concerns and requests to the attention of various board members, the Executive Director or the President, whoever is in the best position to answer the question at hand.
Many of you have asked for a copy of Marjorie Simon’s lecture on Gothic Jewelry given at SOFA Chicago in November 2012 in conjunction with the SNAG exhibition there of work from the 2012 Metalsmith Exhibition in Print.
I started working with metal during graduate school in 1995, while studying Installation Art at Edinboro University of Pennsylvania. I met Sue Amendolora, who was one of the faculty advisors on my graduate committee. Interestingly, in undergraduate school I distinctly remember telling myself (foolishly) that I would NEVER pick up a file and make such obsessive work, but life had other plans for me and I absolutely fell in love with it. It was Sue who also introduced me to SNAG and the community of people that were open and eager to share their ideas/techniques.
Call for 2014 SNAG Conference Presenters
Deadline January 15, 2013
The Conference Program Committee is seeking proposals for up to five single-presenter presentations. These are 45-minute presentations, and should explore the following:
- What is the relationship between maker, material and ideas?
- What does it mean to “buy local” in a global economy and what impact does buying local have on artists and the community?
- What does it mean to be “handmade” in the 21st century?
Call for 2014 SNAG Conference Panelists
Deadline January 15, 2013
The Conference Program Committee is seeking proposals for a 1-hour, three-person panel. The topic of the panel should be oriented to emerging artists and explore the conference theme in some way.
Metalsmith Exhibition in Print 2013 – Call for Related Work
“As Seen by Others: Photography as Strategy”
Guest Curator, Susan Cohn
The photograph is an integral part of a maker’s practice. It not only records a work, it presents a maker’s intention and, as such, defines how a work is understood. More significantly, the photograph is often the only way an object is experienced; it becomes the filter by which the work is seen by others.
In our hyper digital world, the photograph has become more than a just a documentary tool—it is a pivotal mode of expression. Multiple image formats now coexist, and artists are increasingly exploring the formal potential of these imaging options. High-res images are typically used to publish work for catalogues and books as a way of arousing potential interest. Accordingly, these photographs tend to be crisp compositions that highlight key details in design and production. The more casual camera-phone snapshot is gaining momentum on the standard studio photograph. Whether shared among friends or on social media, these images are often less polished and provide a simple likeness of the given object. Alternatively, the photograph can be a key device for expressing an object’s concept or use, enhancing the intention of the maker. Such photographs may be experimental or documentary, showing narrative or poetic propositions for a work. The dynamic between these three photographic tactics opens up interesting ways to view objects today.
The 2013 Exhibition in Print will explore the power of the photograph to express the spirit of an object. Each work will be shown in at least two of the three photographic approaches above-–a formal high-quality studio photograph; a casual smart-phone shot; or an experimental image reinforcing the concept or function of the work. Guest curator Susan Cohn is seeking examples related to this theme of photographic translation.
For consideration, please send low-res image files to email@example.com
Deadline for submission is January 15, 2013.
Susan Cohn, a Melbourne-based jeweler, designer and curator, is director of Workshop 3000 and holds a Ph.D. in Fine Art Theory. Cohn is also the curator of the major museum exhibition, Unexpected Pleasures: The Art and Design of Contemporary Jewellery, currently on international tour.