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In Remembrance

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In Remembrance: Cindy Edelstein

Cindy EdelsteinCindy Edelstein, entrepreneur, author, editor and long time consultant to the jewelry industry, died suddenly January 24, 2016. She was 51. The cause was heart failure.

Cindy was to present at the upcoming SNAGneXt conference, and we are deeply saddened that she will not be with us.

Cindy began her career in the jewelry industry as an editor at JCK magazine where she was the fashion editor. This brought her in contact with jewelry designers and their work, and she soon came to realize that working with them would be her life’s work. In 1991, wanting to support  the growth of this segment of the industry, she founded the Jeweler’s Resource Bureau with her husband, Frank Stankus, with the idea of highlighting the designers and their work in multiple ways.

Over the years she worked in many roles to that end, including that of trade show consultant for the JCK show, the Couture show  and the AGTA show as well creating her own designer-centric show, globalDESIGN. She also was a prolific writer about jewelry design and her byline could be found in every jewelry trade publication as well as in industry online columns. With her husband, she co-wrote a book titled Brilliance: Masterpieces from the American Jewelry Design Council. It sold out of its first printing.

Her efforts to help designers of every level of achievement brought her some well-deserved recognition. She was awarded the prestigious Benne Award by the American Jewelry Design Council in 1995, and was the 1996 winner of the Contemporary Design Group’s award as Best Designer Advocate. She was a long-serving member of the board of the Women’s Jewelry Association, an international group to which she devoted many years of volunteer work. In 1990, she received that organization’s Award for Editorial Excellence, and in 2001 she was recognized again by the same group for her Excellence in Marketing.

Cindy was born in Brooklyn and attended schools on Staten Island. She attended college at the Fashion Institute of Technology and Hofstra University from which she graduated with a bachelors degree.

She is survived by her husband Frank, a daughter, Remy Sasha Stankus, a stepson, Byron David Stankus, a brother, Philip Edelstein, as well numerous cousins, nieces, nephews and other family members whom she loved so dearly. Services are being arranged and will be announced as soon as possible.


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In Remembrance: Chuck Evans

Chuck EvansChuck Evans passed away July 31, 2015 at the age of 75. Evans was an artist whose works, technical innovations, writings and teaching have made lasting contributions to metalsmithing and the American Arts. He was introduced to metals through his friend David Pimentel and learned design and technique while studying under Hans Christensen and Albert Paley at the School of American Craftsmen, Rochester Institute of Technology, 1969-1972.

After earning his MFA, he taught at Bowling Green State University for six years before moving to Iowa in 1978 to open the metals program for Iowa State University’s College of Design, where he was Professor of Jewelry and Metals from 1978 through 2001. Jewelry_Chuck EvansHis artwork spanned 30+ years and has been shown in 200+ exhibitions in the U.S. and abroad.  He authored the textbook  Jewelry: Contemporary Design and Technique, 1983, and contributed to many books and professional publications over the course of his life.

A true purist, Chuck held individual expression above all and shunned labels with great vigor.  Some of the noted artists with whom he interacted included Heikke Seppa, Philip Fike, John Marshall, Fred Fenster, Ronald Pearson, Richard Thomas, Eleanor Moty, Alma Eikerman, Dominick Labino, Wendell Castle, Peter Voulkos, Frans Wildenhain and Philip Morton.


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In Remembrance: June Schwarcz

June SchwarczJune Schwarcz died at her home in Sausalito, CA on August 2, 2015. She was 97. Schwarcz was among the most innovative and highly respected artists working in the late 20th-century enamels field. Best known for her electroformed metal sculpture, embellished with rich enamel color, she produced an extensive body of work which, while referring to time-honored vessel making traditions, defy convention.

Recognized early on for her innovative approach to the medium, she was included in 1956 in Craftsmanship in a Changing World, the inaugural exhibition at the Museum of Contemporary Crafts, New York (now the Museum of Arts and Design); that museum’s 1959 exhibition Enamels; and the traveling exhibition Objects: U.S.A. in 1969. She was designated a California Living Treasure in 1985.

 

June Schwarcz vesselShe was a founding member of the Northern California Enamels Guild, a member of the Enamelist Society where in 1991 she was given a Lifetime Achievement Award, and in 2009 she was given the Masters of the Medium Award by the James Renwick Alliance of the Smithsonian American Art Museum. Schwarcz was also a long-time member of SNAG.

In 2009 her work was featured in Transformed by Fire: June Schwarcz Enameled Vessels at the Mingei Museum, San Diego.

Examples of her work are in the collections of numerous institutions including the Metropolitan Museum of Art, New York; the Museum of Fine Arts, Boston; the Smithsonian American Art Museum; the Fine Arts Museums of San Francisco and many others.

These are just some of June Schwarcz’s accomplishments. Much more about her can be found in the obituary published in the San Francisco Chronicle.  Also see Mike Holmes’ article on the Art Jewelry Forum website.

 

Source: San Francisco Chronicle


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In Remembrance: Edith Sommer

Edith Sommer2Edith Sommer passed away in February 2015. Art was a driving force in her life and she was instrumental in the creation of Gallery House in 1958, an artists’ cooperative still thriving in Palo Alto, CA. Born and raised in Chicago and educated at the University of Illinois, Sommer and her husband moved to Palo Alto in 1949.

Edith Sommer

Untitled Necklace: sterling silver, mokume gane, boulder opals, riveted

Her path as an artist began in the early ’50s, and jewelry was her biggest passion. She took classes and workshops throughout her life, studying with masters of the craft. Over the years Sommer added other media to her repertoire, including work with recycled copper she removed from auto radiators, which she fashioned into wearable vests, masks and containers. She recently became interested in adding polymer clay to her silver work. Sommer was a long-time SNAG member.

Edith Sommer: An Artist’s Retrospective will be on exhibition at Palo Alto Art Center Studio Gallery from June 26-September 6, 2015. Opening reception June 27, 1:00-4:00 p.m.


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In Remembrance: J. Fred Woell

LAA_Fred_Woell, Eleanor, CindyIt is with sadness that we share the passing of another metalsmith. J. Fred Woell died April 2, 2015 at his home in Deer Isle, Maine. He was 81.

Woell was “known for using political and social commentary in the creation of jewelry,” according to a statement released by The Metal Museum Executive Director Carissa Hussong. “He was renowned for his found object assemblages, reflecting and critiquing the throwaway culture of late 20th century America with his characteristic wry humor.”

J Fred WoellHe taught at The University of Wisconsin-Whitewater; Boston University; Swain School of Design, New Bedford, MA; Haystack Mountain School, Deer Isle, ME; and SUNY/New Paltz, NY. His works are in the permanent collections of the Museum of Art and Design, (formerly Contemporary Crafts Museum) NYC; L.A. County Museum of Art, CA; Renwick Gallery of the Smithsonian Institution, Washington, DC; Houston Art Museum, TX; and the Hermitage State Museum, St. Petersburg, Russia.

Woell received the Lifetime Achievement Award from SNAG in 2012, and the Florida National Metalsmiths Hall of Fame award in 2010. He held MFAs from University of Illinois, Champaign-Urbana, University of Wisconsin, and Cranbrook Academy.

The new documentary film about Woell titled J. Fred Woell: An American Vision is a documentary that features interviews with: Paul Smith, former director of the Museum of Contemporary Craft; Helen Drutt, curator and educator; and Glenn Adamson, former director of the Museum of Arts and Design, among others. The film is sponsored by the Union of Maine Visual Artists.