My work is literal. This is because I feel jewelry should do more than just be a materialistic object. For me, I want it to tell a pretty clear story, or have an impact on the wearer. It should give the wearer some kind of bragging rights, something to talk about or have a personal connection to.
There is so much stuff I don't know. And this is a good thing. Artistic jewelry provides me with the opportunity for unlimited learning and exploration.
Like many creatives, I have a pretty wild background. My dad was a neurosurgery pioneer; my aunt collected Italian Futurism in the 1950s; we owned three homes, including a two-story residence on a small island in Lake Huron. I even went to a Swiss boarding school for a year and drove a Mercedes in high school in Ann Arbor. Yet for some reason, I became a crime reporter and specialized in prostitution and missing persons cases for five years. I felt it was a way to come to a better understanding of the world by working with people who had been so marginalized by society. It also taught me how to talk to just about anybody. Later, after a stint in a structural engineering office as a manager, I nabbed a design reporting job and interviewed every industrial designer coming through the booming Denver area. When this newspaper failed during the recession, I decided I wanted to work with beautiful things and melted three pounds of my late mother-in-law's sterling silver flatware in order to learn silversmithing, stone cutting and casting. Today I make and write about jewelry.
Hubbard Lake Silversmiths
5990 Pine St., Hubbard Lake, MI 49747
Born in Ann Arbor, I spent my adult life in Colorado, working as a reporter. This includes a seven year assignment as staff design writer for The Rocky Mountain News in Denver, where I interviewed industrial designers like Jonathan Adler, James Dyson and Karim Rashid. In 2007, I began studying silversmithing and learned to cut stones, working with local minerals. I moved to Northeast Michigan in 2011, where I have a home studio. In 2016 I sold over $5,000 worth work through a single gallery. Although expenses increased, 2017 earnings are three times that amount through silversmithing, the creation of a line of inexpensive production jewelry, writing and teaching. Inspired by a manufacturing boot camp at Alpena Community College, I have been pursuing opportunities to learn more about high-tech manufacturing processes, and have been writing and blogging professionally about the combined power of handcraft and mass production methods.
Three things play out in my work. One is the question: can I innovate? The second is: can my jewelry be something more than sterling silver and stone? Can it tell a story or a joke? Can it give the wearer a different kind of experience, beyond decoration? Finally, will my surroundings in the backwoods of Michigan find their way into my compositions? These objectives have resulted in a body of regional work that I feel has depth, wearability and distinctive appeal.
University of Minnesota, Bachelor’s in Liberal Arts, Minneapolis 1975
University of Colorado-Boulder, Master’s in Journalism, Boulder 1979
Metropolitan State College, Denver, 18th and 19th Century art history 1989
Art Students League of New York – life drawing, stone carving 1992
Clear Creek Academy, Denver with Joe Korth – silversmithing 2008
Hyland Hills Recreation Center, Federal Heights, Colorado – silversmithing 2009
Tom Herman, Denver School of Metal Arts – metal carving 2010
Kate Wolf, Portland, ME -- figurative wax carving 2017 MCACA POD grant
Don Friedlich, St. Louis – Multiples 2017 MCACA POD grant
Galleries & Retail Outlets
Three Pines Studio and Gallery, Cross Village, MI
Main Branch Gallery, Grayling, MI
Local, Hubbard Lake, MI
Ann Arbor Art Center 2016
WSG gallery, Ann Arbor, Holidays 2016
Art in the Loft, Alpena, MI 2015
Domaci Art Gallery, Rogers City, MI 2016
Ann Arbor Art Fair with Michigan Silversmiths Guild 2013, 2014 & 2017
Birmingham Bloomfield Art Center Holiday Show 2015
Birmingham Bloomfield 34th annual Fine Arts Competition juried by Terence Hammonds, 2016
Detroit Artists Market Holiday Show 2017
Dragonfly Gallery, Harrisville, MI – guest artist August 2014
Muskegon Museum of Art 88th Regional Art Show juried by Tom Lundberg, 2016, Gift Purchase.
Refined IX: Humor, Stephen F. Austin State University College of Fine Arts, Nacogdoches, TX juried by Andy Cooperman 2016
University of Michigan Health Services, Ann Arbor, Gifts of Art solo show, 2nd floor main corridor, 2014 and 2016
Lapidary Journal Jewelry Artist, November 2010 – Cripple Creek Turquoise and project
Lapidary Journal Jewelry Artist, December 2010 – Torch fired diamonds in PMC
Rock & Gem, March 2011 – The Perfect Setting – Low Cost Silversmithing Classes
Lapidary Journal Jewelry Artist, May/June 2013 – Michigan’s Copper & Large-Hole Bead Project
Lapidary Journal Jewelry Artist, July 2013 – Detroit’s Tech Shop and Cast Pewter Project
Lapidary Journal Jewelry Artist, January/February 2015 – Thunder Bay Amethyst & Pendant
Lapidary Journal Jewelry Artist, April 2016 – Trends in Pearls, Step-by-Step How to Carve Pearls
Lapidary Journal Jewelry Artist March 2018 – MCACA grant allows me to study wax carving with Kate Wolf; look for grants in your area
Lapidary Journal Jewelry Artist April 2018 -- Carving with Kate Wolf; 3D scanning and printing
Jewelry Making Daily weekly contributor posting topics, including those, which were a result of the MCACA grant.
2016: Freshwater pearl carving techniques at Studio JSD, Grand Haven, MI; Ann Arbor Art Center; Washington Heights Art Center Lakewood, CO, and private students.
2017 to date: pearl carving and lectures at Metalwerx, Waltham, MA; William Holland School of Lapidary Arts, Young Harris, GA; Florida Society of Goldsmiths, West Palm Beach, FL; Bead & Button Show, Milwaukee, WI.
Where to Buy
Work is not available for sale through the SNAG website. Please contact the artist directly to inquire about making a purchase.