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Archive for 2016

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Board Members Speak: Brian Ferrell

Brian Ferrell photoWhat brought you to wanting a board position?

I am always interested in the spirit of community and collaboration that exists among a group of individuals. There are times when we need a break from our workbenches. Having a group of friends for feedback, support, or inspiration makes the time in our studios more worthwhile. It makes us appreciate that we are not alone in our enthusiasm for making. Many of the people in my circle of friends feel the same, so getting involved with SNAG board was pretty natural. Additionally, I had already been a volunteer with the organization for several years.

What are your plans for board participation (your committee assignment, fundraising project, etc.)?

Under the new committee structure, I am on three board level committees. Fundraising, Programming, and Impact & Evaluation.

What exciting, interesting, confounding things are you doing right now (in your life other than being on the board)?

-My current work can be described as tableware, furniture, and lighting. My materials are metal, wood, and clay.  I also recently started collaborating on designs with glass artist Adam Kenney.
-I am Associate Professor of Art at Seton Hill University where I maintain the Metal, Ceramic, and Wood Studio! We just moved into a new facility.
-I restored a boat a few years ago and I am hoping to teach my 3-year old son how to water ski this summer.

Can you share an anecdote of a fun or meaningful SNAG experience for you (something that happened at a conference, an interaction with another member, an opportunity that occurred through SNAG)?

The enthusiasm for our field can seem infectious within the bubble of metalsmithing.  Seeing all of the social media posting of people road tripping their way to the conferences is a lot of fun.  On our drive to Toronto, we were asked at the border why we were entering Canada.
Sean Macmillian exclaimed, “We’re going to a metalsmithing conference!”
The border guard squinted and looked confused. “What?” he said.
Sean pulled out his anvil pins and said, “Yeah! These are for the pin swap tonight! You want one?” He looked us over for what seemed like a few minutes. Jim Bové was smiling in the back.
“Just go” he muttered.


SNAG would like to take this opportunity to recognize our Corporate Members for their support: Aaron Faber Gallery, Halstead, NextFab, and Pocosin Arts.

AaronFaber_sm Halstead
NextFab-logo-300x300 POCOSIN_logo_120615


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Technical Article: “Art, History, and Processes of Guilloché Engraving, part 2″ by G. Phil Poirier

SNAG has a strong commitment to preserving and sharing technical information such as this article by G. Phil Poirier of Bonny Doon Engineering. Guilloche, also known as engine turning, is an exquisitely beautiful, highly technical, historical process that has unlimited applications in contemporary metalwork.

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Technical Article: “Art, History, and Processes of Guilloché Engraving, part 1” by G. Phil Poirier

SNAG has a strong commitment to preserving and sharing technical information such as this article by G. Phil Poirier of Bonny Doon Engineering. Guilloche, also known as engine turning, is an exquisitely beautiful, highly technical, historical process that has unlimited applications in contemporary metalwork.

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Rent-A-Pro at SNAGneXt

Need some help with your website, taking photos of your work, or have legal questions around contracts? We can help: Book some time with one of our experts while you are at SNAGneXt in Asheville.  Rent a professional for 30 minutes and get your questions answered!

See the details of what each professional has to offer & sign up today!

Sarah Benoit  Chris Balch  Joshua White

 


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Compelling Questions: Kate Wolf

Welcome to a new feature called “Compelling Questions.” Every month SNAG will feature a question that is posed to one or more people in the field of jewelry and metals and post their answer(s). We start with jeweler Kate Wolf.

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