SNAG is pleased to be a sponsor of the 2018 Triple Parade exhibition in Shanghai, China. The Triple Parade is a prestigious nonprofit biennial international cultural project that has become one of the leading contemporary applied art and design exhibitions for expanding cultural exchanges between China and the rest of the world. This year’s theme is “Three Times: Dialogue Across the Past, the Present, the Future.” The exhibition takes place October 19, 2018 through January 6, 2019 at the HOW Art Museum, Shanghai, China.
The event consists of exhibitions, symposia, lectures and workshops. The Triple Parade comprises four sections: Intimate Encounter, Like Attracts Like, Arty Game, and Viva La Different, and will display 500 pieces of artworks created by nearly 300 artists from 34 countries and regions.
“SNAG is delighted to be a sponsor of the 2018 Triple Parade exhibition,” said Executive Director Gwynne Rukenbrod Smith. “The Triple Parade perfectly aligns with our mission of supporting a diverse international jewelry and metals community by fostering critical discourse through the exchange of artworks. We are proud to have 12 SNAG members represented at the HOW Art Museum.”
- Emily Cobb
- Dan DiCaprio
- Don Friedlich
- Aurelie Guillaume
- Adam Hawk
- Kevin Hughes
- Yong Joo Kim
- Matt Lambert
- Wendy McAllister
- Paul McClure
- Ezra Satok-Wolman
- Lauren Tickle
SNAG Board member Ezra Satok-Wolman, a Canadian jewelry artist and master goldsmith, was an early advocate of SNAG’s involvement in the event and has been focused on developing new partnerships for SNAG. “To date, our mission has been focused primarily on North America,” says Satok-Wolman. “As the world becomes more connected, our desire to enrich our understanding of the field in a broader sense has led us to seek out new partners. In doing so, we hope to not only develop a better understanding of the field from new international and cultural perspectives, but also collaborate with other countries and their institutions to cultivate a broader dialogue and bring forth new exhibitions, enrich our publications, and encourage new members and contributors to join us in those efforts.”
September 8-November 25, 2017
Contemporary Craft, Pittsburgh, PA
Exhibition in Print: Repair and Renewal showcases outstanding metal artworks by over 20 artists. As an annual feature of Metalsmith magazine, the 2017 Exhibition in Print focuses on the metalwork tradition and the capacity for restoration by highlighting artists from across the United States as well as Germany, Belgium, and Finland. The exhibiting artists in this companion exhibition give renewed life to objects and materials through innovative art expression rooted in traditional metalsmithing mediums such as silver, copper, and gold, and nontraditional found objects such as horsehair, syringes, soap, and credit cards. Besides prolonging the life of the object, the act of repair also speaks to our yearning to make things right and to make things whole again.
Curated by Stuart Kestenbaum, Maine’s poet laureate and an honorary fellow of the American Craft Council, Exhibition in Print: Repair and Renewal features jewelry, sculpture and non-traditional wearable objects by emerging and established metalsmithing professionals and exposes the public to a variety of techniques and mediums.
Learn more about the Exhibition in Print.
The fourth juried member exhibition in the WE ARE SNAG series.
History has inspired artists for thousands of years. Rather than simply borrow imagery from the past, this exhibition asked artists to engage deeply with historical appropriation. Juried by Michael Dale Bernard (UW-Milwaukee) and Emily Stoehrer (MFA Boston).
Questions? Please email SNAG exhibitions
About the Jurors
Dr. Emily Stoehrer is the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry at the Museum of Fine Arts, Boston where she oversees a collection that spans 6,000 years and includes more than 22,000 objects. She received her PhD from Salve Regina University and a master’s degree from the Fashion Institute of Technology. Over the last decade, Stoehrer has lectured extensively throughout the United States, and also in Europe and Asia. Most recently, she curated Past is Present: Revival Jewelry and was a contributor to the book Maker & Muse: Women and Early Twentieth Century Art Jewelry. Stoehrer is a member of the board of directors for the Society of North American Goldsmiths and is currently writing a book on jewelry and celebrity culture.
Michael Dale Bernard’s practice developed in the urban sprawl of Los Angeles. He received his BFA in Metals from the University of Illinois in 1999 and his MFA from California State University, Long Beach in 2007. He joined the faculty at UW–Milwaukee in 2012 where he is currently an Adjunct Assistant Professor in metal, jewelry and digital fabrication.
MDB’s highly stylized artwork explores image as urban commodity, hip-hop culture, and organic structure. Steel fabrication, alternative materials, and vibrant color coatings are prominent in his work. He co-curated the Monochrome Noir exhibition at Velvet da Vinci in 2013 and you can find his work in Showcase: 500 Necklaces and 500 Rings, and the 2009 and 2016 Metalsmith Exhibitions in Print.
Do you have a topic for the next “WE ARE SNAG” online exhibition? We’d love to hear it! Email us.
The 2017 Halstead Design Challenge “Memento” asked artists to incorporate a photo into a brooch constructed primarily from materials in the Halstead challenge kit. A juried selection from all entries was exhibited at RHINO Contemporary Crafts Gallery during the SNAG New Orleans conference in May 2017. Seventy-one brooches are on view in our online exhibition.
The SNAG Links Project was originally conceived of and coordinated by Linda Kaye-Moses from 1996-2001. In this project, Linda invited 12 artists to create a link (a pendant-like adornment) utilizing their unique skill-sets. The pieces were documented, then donated to the annual conference silent auction.
Victoria Lansford revived the project in 2015, with the links displayed at the 2015 and 2016 SNAG conferences as part of the silent auction. In keeping with Linda’s concept, each year Victoria invited 12 artists to create links. Each link was auctioned individually at the conferences.